Showing posts with label Pattern Drafting 101. Show all posts
Showing posts with label Pattern Drafting 101. Show all posts

Thursday, February 9, 2017

Rose Dress


Front of the Rose Dress
The Rose Dress came about from a desire to have something with a deep sweetheart neckline. I've wanted something vintage and romantic and feminine and this dress was the result.

Bodice Pattern
I drafted the bodice pattern from my personal measurements. The skirt is a simple gathered affair and didn't require a pattern. The skirt is a rectangle that's gathered at the top and hemmed to my knees.

Mock Up
My first practice piece (aka mock up) was made in left-over fabric and not meant to be pretty. I just wanted to test the fit and make adjustments. I ended up changing the neckline slightly and I took the waist in a little. 

Lining and zipper placement
The dress has an invisible back zipper and is fully lined. The lining is under-stitched at the neckline and encases all the raw edges of the skirt.


Back of the Rose Dress
The back of the Rose dress could have had the print lined up but I was running out of fabric. However, the invisible zipper really gives it a nice finished look.

I wore this dress for the first time to a friend's wedding and didn't take a photo of myself in it. Next time!




Wednesday, January 25, 2017

Winter Wool Coat

The finished garment

Last fall I took a couple college classes, one in pattern drafting and the other in tailoring. These two classes gave me the foundations I need for creating my own clothing and I have enjoyed making several items from scratch since then. In our pattern drafting class we had our measurements taken so we could pretty much design any kind of clothing we wanted from our basic blocks. 

I found this really pretty woven fabric from Mood and knew I wanted to make a winter coat from from it. I began with an idea I had in mind and sketched it out on paper first. I wanted a wide collar, an overlapping front, and it had to be knee length. Either way, I wanted it to fit my own frame perfectly.

Drafting the pattern

Mock up created from the original pattern

Coat Lining

The coat is fully lined in matching light brown satin. It's smooth and slick putting it on and taking it off.



Catch stitching the inner garment

The inner construction was very involved and isn't seen on the finished garment. I used traditional tailoring techniques and catch stitched in hair canvas. The woven fabric is 100% wool and easy to work with. Wool is such a versatile fiber and can be molded however you want with steam and heat and the hair canvas gives it a nice foundation to sit on.


Buttonhole mock up

While I was constructing the garment I knew I wanted bound buttonholes to fit my large 2" buttons. I took the extra time needed to do them properly and made a sample first so I could get the technique correct.

Creating the bound buttonholes





The finished garment fits perfectly and turned out beautifully. It was a ton of work but I'm glad I created it.



Wednesday, September 7, 2016

Pattern Drafting a Corset


My final project for my flat pattern class last fall was to design and draft a corset. The teacher asked me to create something for challenging then she asked the others. I'd always been ahead in the class and really needed something extra. I began with some inspiration on pinterest and got started on something simple.



After my first fitting, I decided to split the pattern down further and remove an additional 2 inches from the waistline. I wanted more shaping then what I started out with.


From my final pattern I created bust padding which is simply quilted fabric and quilt padding. I hand stitched the padding into place using the seam allowance of my outside material. I used up-cycled jeans from my stash for the outside fabric and the same red material for the lining as the bust padding.



I used basic plastic boning slid into the seam allowance on the jean material. At the top and bottom of each section I added a decorative and functional flossing. The holds the boning in place permanently.




After I stitched the lining along the top edge I turned everything right side out and sewed a piece of biased binding along the bottom edge to finish it out. I hammered grommets in place along the back and laced it up with the flashy gold lacing. I chose not to put a front busk in since I was short on time. I have no issues getting in and out of the corset and lacing it myself. 




Finally, I made a lace undershirt to complete the ensemble. It fits perfectly and I love how it feels on. This was really a great project that stretched my skills and I love how it turned out!




Monday, September 5, 2016

Designing and Drafting a Shirt- The Final Product (aka the Skeleton Shirt)

I previously wrote out the mock up I made in my flat pattern class last fall. The completed project turned out even better! 

I designed the pattern after a 1940's sweetheart neckline with nearly elbow length sleeves and faux cuffs. The princess seams and under bust shaping makes the top fit me to a T.

I didn't have enough of either fabric so I mixed and matched. I made this around Halloween and the dancing skeletons fabric came from the scrap bin at the fabric store.




Saturday, September 3, 2016

Designing and Drafting a Shirt- Working Mock Up (aka Thread Shirt)


Last fall I took a flat pattern class as part of my Fashion Apparel Design and Technology degree. One of our projects was to design a top then to create a draft and mock up.

We used a pattern block that we'd just finished from our personal measurements. I wanted a sweetheart neckline and a fitted waist which I was able to accomplish with the princess draft lines. I was going for a vintage look. I also contoured under the bust so the shirt would fit my larger bust to a T.

I used a fabric with little spools of thread tossed all over it for my mock up. I had to make a few changes but the overall design worked well. I also made 2 styles of sleeve cuffs. I'm really happy with the project and I'll show you the final design in a future post!






Thursday, May 21, 2015

My Most Popular Blog Post!

Way back in 2010, when I started slowly getting more involved in custom designing and pattern work, I wrote a short piece on the history of clothing and the development of pattern making. It's still my most popular piece! Follow the link to read it for yourself. Enjoy! :)


Thursday, October 20, 2011

Pattern Drafting 101: Sewing Machine Needle Primer


Choosing the right kind of sewing machine needle for your sewing projects can seem a little daunting. But it doesn't have to be! All you basically need to do is match the type of needle to the type of fabric you are using.


Sew Mama Sew had the most comprehensive information out there and it should answer all your sewing machine needle questions.

Sharp points (regular) are for use with woven fabrics (including cotton and linen etc) because they cause a minimum amount of puckering and produce an even stitch without damaging the fabric. These are not recommended for use with knits as they can cause skipped stitches. Sharp points are more slender through the shaft and should be used when edge stitching on woven fabrics, sewing on finely woven fabrics or heirloom stitching on very fine fabrics. They are also a good choice when sewing with synthetic suede. These needles come in varying sizes from the finest size 9 to the heaviest size 18.
Universal Point needles have a slightly rounded point that is similar to the ball point needle and is used for general, every day sewing of most woven or knit fabrics. The needle is tapered so that it slips through the fabric weave of the knit easily whilst still retaining enough sharpness to pierce the cloth. It is usually Universal needles that come with your sewing machine. They come in many different sizes with the 14/90 and the 11/75 being the most popular.
Ball Point needles are specifically designed to be used with knit and stretch fabrics. They have a rounded point rather than a sharp one (the larger the size of the needle, the more rounded the needle point) and they push between the fabric yarns rather than piercing them the way the Sharp Points do. The needles should be used when sewing with interlock knits, coarse knits and other fabrics that will run if snagged. The needles come in varying sizes from 9 to 16. The larger the size of the needle, the more rounded the needle point is.
Embroidery needles have a larger needle eye to accommodate the thicker embroidery threads. They are also designed to protect the decorative threads from breaking.
Quilting needles (called Betweens) have a tapered point that allows you to stitch through several layers of fabric (usually the quilt sandwich) and across intersecting seams. They have a tapered point to prevent damaging the often heirloom quality fabrics used in quilting. They are generally smaller and stronger than normal needles with a small eye. They come in sizes 9,10,11,and 12.
Topstitching needles are for use with heavier topstitching thread and as such have an extra large eye and a deeper groove. They can also be used with a double thread for a more pronounced stitch. Using the correct top stitching needle can make a real difference to the finished look of your project.
Wedge Point needles are used less often as they are designed for use with leather and vinyl. They easily pierce the fabrics and create a hole that will close back up on itself. The wedge shape makes it a superior needle for piercing tough, unyielding fabrics such as leather or suede. These needles come in varying sizes from 11 to 18. The smaller sizes are suitable for softer, more pliable leather, whilst the larger sizes are designed for heavy leathers, or multiple layers.

Understanding the type of needle is extremely important to achieve a high quality finished project, but so is knowing which size needle to use.
The general rule is that the needle size is judged by the type of fabric being sewn, although there are always exceptions:
Delicate Fabrics: When sewing with fabrics such as silk, chiffon, voile, fine lace or organza a fine “size 9″ needle would usually be the best choice.
Lightweight Fabrics: When using lighter weight fabrics such as synthetic sheers, batiste, taffeta or velvet would a “size 11″ needle would be the normal choice.
Medium Weight Fabrics: When sewing with slightly heavier weight fabrics such as gingham, poplin, linen, muslin, chambray, wool crepe, flannel, knits, jersey, wool, wool suiting, or stretch fabrics a “size 14″ needle is generally best.
Medium-Heavy Fabrics: Sewing with fabrics such as gabardine, heavy suiting or tweed would require a “size 16″ needle.
Heavy Fabrics: When using heavy weight fabrics such as denim, ticking, upholstery or canvas a “size 18″ needle is the most suitable.

The final and perhaps the most important piece of information that needs to be taken in to account when sewing, is that you should always replace a dull or damaged needle straight away. Damaged needles can be responsible for skipped stitches and tearing fabric as well as also causing damage to your actual sewing machine if they nick the bobbin case. And of course you don’t just change your needle if it gets damaged or if you change fabrics, you should also change them every time you start a new project to ensure that you are always sewing with the sharpest needle possible.

Source





Thursday, May 12, 2011

Pattern Drafting 101: Pattern Care

Today I'll be talking about how I care for and store my patterns. Everyone is different and I'd love to hear how others take care of their patterns. I'm sure others would too!


When I bring home a new pattern I usually take it out and cut it apart. Before I use it to cut out a new outfit I'll run a warm iron, no steam, over the tissue paper to get out any wrinkles.

When I'm done with my pattern, I never attempt to try to fit it back into it's regular pocket. Instead, I store everything in a gallon sized baggie. These bags are a life saver for me! I can keep everything in one place and not worry about trying to shove it back into that small pocket.

I also have a large selection of patterns. Storage can be an issue but I've found a large clear storage box to be the best solution.

When I use a pattern a lot or need it for several sizes I make a hard copy of it. You can use anything to make a copy of a pattern, tissue paper, wrapping paper, etc. I use medium weight non-fusible interfacing. I like the weight and durability of it. I lay down my original pattern then place my interfacing on top and trace the size I need, making sure to also copy the any notches or other markings. On my hard copy I also write the pattern name, number and size for future reference. I also store these with my original pattern in the gallon baggie.

And that is the basics on pattern care. Do you have any more suggestions? I'd love to hear them!

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